75 bars of 4/4 at a walking 84 BPM, 3:34 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 41, 61 and 63-65, and 2 more places -- 12.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 22 times: bars 21, 22, 30, 34, 42, 45 and 16 more.
9 more fills are written out on the fills page.
75 bars across 11 sections: 28 keep time, 22 are fills, 6 are stops and 13 are silent. The longest unbroken stretch of time is bars 24-29.
84 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
75 bars, about 3:34 at the written tempo. The course breaks it into 33 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 22 times: bars 21, 22, 30, 34, 42, 45 and 16 more.