102 bars of 4/4 at 132 BPM, about 3:05 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 27, 31-32 and 60, and 3 more places -- 9.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 14 times: bars 17, 25, 48, 49, 50, 58 and 8 more.
1 more fill is written out on the fills page.
102 bars across 11 sections: 37 keep time, 14 are fills, 36 are stops and 6 are silent. The longest unbroken stretch of time is bars 6-16.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 38 out of 100; the rest of the number is everything around it.
102 bars, about 3:05 at the written tempo. The course breaks it into 28 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 14 times: bars 17, 25, 48, 49, 50, 58 and 8 more.