108 bars of 4/4 at 120 BPM, about 3:36 of playing, on crash, hi-hat, snare, mid tom and kick.
The beat the song is built on is one bar, played through bars 6-10, 16-20 and 26, and 4 more places -- 26.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
108 bars across 15 sections: 90 keep time and 7 are silent. The longest unbroken stretch of time is bars 37-50.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
108 bars, about 3:36 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.