94 bars of 4/4 at a walking 90 BPM, 4:12 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 27-29, 55-57 and 79, and 1 more place -- 8.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 26 times: bars 2, 8, 10, 18, 25, 26 and 20 more.
12 more fills are written out on the fills page.
94 bars across 12 sections: 45 keep time, 26 are fills, 2 are stops and 4 are silent. The longest unbroken stretch of time is bars 3-7.
90 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
94 bars, about 4:12 at the written tempo. The course breaks it into 47 exercises over 16 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 26 times: bars 2, 8, 10, 18, 25, 26 and 20 more.