81 bars of 4/4 at 142 BPM, about 2:12 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 7-8, 11-12 and 15-16, and 7 more places -- 23.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 10 times: bars 26, 27, 30, 31, 56, 60 and 4 more.
4 more fills are written out on the fills page.
81 bars across 12 sections: 33 keep time, 10 are fills, 27 are stops and 8 are silent. The longest unbroken stretch of time is bars 33-39.
142 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 19 out of 100; the rest of the number is everything around it.
81 bars, about 2:12 at the written tempo. The course breaks it into 32 exercises over 11 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 10 times: bars 26, 27, 30, 31, 56, 60 and 4 more.