87 bars of 4/4 at a walking 105 BPM, 3:19 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5, 7-11 and 13, and 14 more places -- 31% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 2 times: bars 4 and 60.
87 bars across 9 sections: 69 keep time, 2 are fills and 3 are silent. The longest unbroken stretch of time is bars 37-56.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
87 bars, about 3:19 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 2 times: bars 4 and 60.