130 bars of 4/4 at a walking 88 BPM, 5:04 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 45 and 47-61 -- 14.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 23 times: bars 7, 16, 18, 70, 71, 72 and 17 more.
2 more fills are written out on the fills page.
130 bars across 11 sections: 79 keep time, 23 are fills, 1 is a stop and 17 are silent. The longest unbroken stretch of time is bars 103-125.
88 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 62 out of 100; the rest of the number is everything around it.
130 bars, about 5:04 at the written tempo. The course breaks it into 36 exercises over 12 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 23 times: bars 7, 16, 18, 70, 71, 72 and 17 more.