85 bars of 4/4 at 120 BPM, about 2:49 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 22-23, 25 and 30-31, and 3 more places -- 11.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 43 times: bars 1, 4, 5, 6, 8, 10 and 37 more.
10 more fills are written out on the fills page.
85 bars across 7 sections: 31 keep time, 43 are fills, 5 are stops and 1 is silent. The longest unbroken stretch of time is bars 55-61.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
85 bars, about 2:49 at the written tempo. The course breaks it into 28 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 43 times: bars 1, 4, 5, 6, 8, 10 and 37 more.