140 bars of 4/4 at 135 BPM, about 4:08 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 21-23, 25 and 27, and 5 more places -- 10.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 39 times: bars 2, 8, 9, 12, 13, 14 and 33 more.
15 more fills are written out on the fills page.
140 bars across 15 sections: 56 keep time, 39 are fills, 25 are stops and 6 are silent. The longest unbroken stretch of time is bars 79-92.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
140 bars, about 4:08 at the written tempo. The course breaks it into 62 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 39 times: bars 2, 8, 9, 12, 13, 14 and 33 more.