298 bars of 6/4 -- not four -- at 128 BPM, 12:53 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 82-88, 110-116 and 118-125 -- 10.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 31 times: bars 1, 12, 14, 15, 16, 29 and 25 more.
16 more fills are written out on the fills page.
298 bars across 17 sections: 139 keep time, 31 are fills, 12 are stops and 97 are silent. The longest unbroken stretch of time is bars 111-125.
128 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
298 bars, about 12:53 at the written tempo. The course breaks it into 67 exercises over 18 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 31 times: bars 1, 12, 14, 15, 16, 29 and 25 more.