103 bars of 4/4 at a walking 100 BPM, 4:07 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 36-50, 52 and 54, and 13 more places -- 31.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 18 times: bars 10, 21, 22, 23, 24, 25 and 12 more.
6 more fills are written out on the fills page.
103 bars across 7 sections: 64 keep time, 18 are fills, 7 are stops and 9 are silent. The longest unbroken stretch of time is bars 40-50.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
103 bars, about 4:07 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 18 times: bars 10, 21, 22, 23, 24, 25 and 12 more.