46 bars, 2:35, at 71 BPM: slow enough that every note is exposed. Crash, hi-hat, snare and kick and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 6-12 and 32-34 -- 30.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 5 times: bars 19, 26, 44, 45 and 46.
46 bars across 7 sections: 21 keep time, 5 are fills, 1 is a stop and 13 are silent. The longest unbroken stretch of time is bars 5-12.
71 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
51 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 51 out of 100; the rest of the number is everything around it.
46 bars, about 2:35 at the written tempo. The course breaks it into 20 exercises over 7 sittings, about 25 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
3 fills to learn, played 5 times: bars 19, 26, 44, 45 and 46.