94 bars of 4/4 at a walking 96 BPM, 3:53 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 29, 31 and 33, and 7 more places -- 12.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 21 times: bars 30, 32, 34, 36, 40, 44 and 15 more.
10 more fills are written out on the fills page.
94 bars across 13 sections: 44 keep time, 21 are fills, 6 are stops and 13 are silent. The longest unbroken stretch of time is bars 14-20.
96 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
94 bars, about 3:53 at the written tempo. The course breaks it into 41 exercises over 14 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 21 times: bars 30, 32, 34, 36, 40, 44 and 15 more.