115 bars of 6/4 -- not four -- at 90 BPM, 7:25 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13-15, 17-19 and 77-78, and 4 more places -- 19.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 18 times: bars 20, 33, 34, 52, 60, 64 and 12 more.
11 more fills are written out on the fills page.
186 bars across 10 sections: 88 keep time, 18 are fills, 2 are stops and 67 are silent. The longest unbroken stretch of time is bars 1-14.
90 BPM, in 6/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
115 bars, about 7:25 at the written tempo. The course breaks it into 50 exercises over 20 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 18 times: bars 20, 33, 34, 52, 60, 64 and 12 more.