100 bars, 5:28, at 72 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 10-31, 34-36 and 38-39, and 9 more places -- 55.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
5 fills to learn, played 9 times: bars 37, 66, 70, 85, 86, 90 and 3 more.
1 more fill is written out on the fills page.
100 bars across 6 sections: 80 keep time, 9 are fills and 4 are silent. The longest unbroken stretch of time is bars 38-65.
72 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 20 out of 100; the rest of the number is everything around it.
100 bars, about 5:28 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 37, 66, 70, 85, 86, 90 and 3 more.