174 bars of 4/4 at a walking 90 BPM, 7:44 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 45-51 and 94-100 -- 8.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 17 times: bars 8, 11, 24, 32, 35, 36 and 11 more.
9 more fills are written out on the fills page.
174 bars across 17 sections: 108 keep time, 17 are fills, 16 are stops and 10 are silent. The longest unbroken stretch of time is bars 44-51.
90 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
174 bars, about 7:44 at the written tempo. The course breaks it into 56 exercises over 19 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 17 times: bars 8, 11, 24, 32, 35, 36 and 11 more.