126 bars of 3/4 -- not four -- at 70 BPM, 5:33 of playing on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 29, 32-33 and 37, and 12 more places -- 19.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 20 times: bars 15, 30, 57, 66, 67, 68 and 14 more.
4 more fills are written out on the fills page.
126 bars across 15 sections: 68 keep time, 20 are fills, 5 are stops and 15 are silent. The longest unbroken stretch of time is bars 31-55.
70 BPM, in 3/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 19 out of 100; the rest of the number is everything around it.
126 bars, about 5:33 at the written tempo. The course breaks it into 48 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 20 times: bars 15, 30, 57, 66, 67, 68 and 14 more.