105 bars at 180 BPM -- fast, and 2:20 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-10, 23 and 25, and 12 more places -- 16% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 28 times: bars 6, 11, 12, 14, 18, 20 and 22 more.
13 more fills are written out on the fills page.
105 bars across 11 sections: 55 keep time, 28 are fills, 5 are stops and 5 are silent. The longest unbroken stretch of time is bars 23-28.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
105 bars, about 2:20 at the written tempo. The course breaks it into 49 exercises over 15 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 28 times: bars 6, 11, 12, 14, 18, 20 and 22 more.