94 bars of 4/4 at 110 BPM, about 3:25 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2, 4 and 6, and 21 more places -- 26.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 12 times: bars 19, 20, 39, 40, 54, 56 and 6 more.
2 more fills are written out on the fills page.
94 bars across 6 sections: 64 keep time, 12 are fills, 8 are stops and 4 are silent. The longest unbroken stretch of time is bars 74-89.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
94 bars, about 3:25 at the written tempo. The course breaks it into 22 exercises over 6 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 12 times: bars 19, 20, 39, 40, 54, 56 and 6 more.