69 bars, 3:57, at 70 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 8, 10 and 12, and 13 more places -- 23.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
69 bars across 5 sections: 63 keep time and 1 is a stop. The longest unbroken stretch of time is bars 28-44.
70 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
28 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it. The beat itself is 8 out of 100; the rest of the number is everything around it.
69 bars, about 3:57 at the written tempo. The course breaks it into 17 exercises over 5 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.