120 bars of 4/4 at 115 BPM, about 4:09 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 4-5, 8 and 10, and 17 more places -- 27.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 18 times: bars 6, 17, 18, 33, 34, 42 and 12 more.
5 more fills are written out on the fills page.
120 bars across 12 sections: 82 keep time, 18 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 94-103.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
120 bars, about 4:09 at the written tempo. The course breaks it into 39 exercises over 9 sittings, about 29 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 18 times: bars 6, 17, 18, 33, 34, 42 and 12 more.