78 bars of 4/4 at a walking 90 BPM, 3:27 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6, 13 and 21, and 14 more places -- 23% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 21 times: bars 16, 18, 19, 20, 26, 29 and 15 more.
4 more fills are written out on the fills page.
78 bars across 7 sections: 46 keep time, 21 are fills and 4 are silent. The longest unbroken stretch of time is bars 31-41.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
78 bars, about 3:27 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 30 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 21 times: bars 16, 18, 19, 20, 26, 29 and 15 more.