115 bars of 4/4 at a walking 94 BPM, 4:54 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-3, 13-15 and 17-19, and 14 more places -- 33% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
17 fills to learn, played 40 times: bars 4, 6, 7, 8, 12, 16 and 34 more.
13 more fills are written out on the fills page.
115 bars across 8 sections: 66 keep time and 40 are fills. The longest unbroken stretch of time is bars 108-115.
94 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
115 bars, about 4:54 at the written tempo. The course breaks it into 44 exercises over 13 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 40 times: bars 4, 6, 7, 8, 12, 16 and 34 more.