115 bars of 3/4 -- not four -- at 120 BPM, 4:06 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 33-40 and 49-56 -- 14.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 17 times: bars 23, 24, 28, 32, 46, 48 and 11 more.
8 more fills are written out on the fills page.
115 bars across 12 sections: 73 keep time, 17 are fills, 3 are stops and 6 are silent. The longest unbroken stretch of time is bars 74-87.
120 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 82 out of 100; the rest of the number is everything around it.
115 bars, about 4:06 at the written tempo. The course breaks it into 48 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 17 times: bars 23, 24, 28, 32, 46, 48 and 11 more.