132 bars at 185 BPM -- fast, and 2:51 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 7, 31 and 53, and 5 more places -- 6.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 30 times: bars 8, 16, 23, 24, 32, 39 and 24 more.
10 more fills are written out on the fills page.
132 bars across 14 sections: 57 keep time, 30 are fills, 18 are stops and 15 are silent. The longest unbroken stretch of time is bars 76-82.
185 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
132 bars, about 2:51 at the written tempo. The course breaks it into 50 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 30 times: bars 8, 16, 23, 24, 32, 39 and 24 more.