96 bars of 4/4 at a walking 108 BPM, 3:32 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1, 3 and 5, and 10 more places -- 15.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 21 times: bars 51, 55, 56, 57, 58, 59 and 15 more.
3 more fills are written out on the fills page.
96 bars across 9 sections: 52 keep time, 21 are fills, 5 are stops and 11 are silent. The longest unbroken stretch of time is bars 1-25.
108 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 4 out of 100; the rest of the number is everything around it.
96 bars, about 3:32 at the written tempo. The course breaks it into 20 exercises over 6 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 21 times: bars 51, 55, 56, 57, 58, 59 and 15 more.