145 bars at 180 BPM -- fast, and 3:13 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 4-6, 8-10 and 38-40, and 9 more places -- 20.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 36 times: bars 1, 2, 17, 18, 32, 33 and 30 more.
7 more fills are written out on the fills page.
145 bars across 9 sections: 84 keep time, 36 are fills and 15 are stops. The longest unbroken stretch of time is bars 89-103.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
145 bars, about 3:13 at the written tempo. The course breaks it into 39 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 36 times: bars 1, 2, 17, 18, 32, 33 and 30 more.