146 bars of 3/4 -- not four -- at 104 BPM, 4:13 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 27-29, 35-37 and 39, and 28 more places -- 26.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 32 times: bars 8, 16, 17, 18, 30, 34 and 26 more.
6 more fills are written out on the fills page.
146 bars across 11 sections: 91 keep time, 32 are fills, 6 are stops and 6 are silent. The longest unbroken stretch of time is bars 67-77.
104 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
146 bars, about 4:13 at the written tempo. The course breaks it into 29 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 32 times: bars 8, 16, 17, 18, 30, 34 and 26 more.