175 bars of 4/4 at 120 BPM, about 5:50 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 37-43, 61-67 and 125-131 -- 12.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 24 times: bars 20, 24, 36, 44, 48, 52 and 18 more.
10 more fills are written out on the fills page.
175 bars across 21 sections: 103 keep time, 24 are fills, 16 are stops and 12 are silent. The longest unbroken stretch of time is bars 29-35.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
96 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 75 out of 100; the rest of the number is everything around it.
175 bars, about 5:50 at the written tempo. The course breaks it into 66 exercises over 22 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 24 times: bars 20, 24, 36, 44, 48, 52 and 18 more.