199 bars of 4/4 at a walking 90 BPM, 8:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 34-40, 42-48 and 58-64, and 3 more places -- 22.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 23 times: bars 5, 13, 17, 32, 33, 41 and 17 more.
7 more fills are written out on the fills page.
199 bars across 13 sections: 131 keep time, 23 are fills, 23 are stops and 11 are silent. The longest unbroken stretch of time is bars 83-97.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
199 bars, about 8:49 at the written tempo. The course breaks it into 48 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 23 times: bars 5, 13, 17, 32, 33, 41 and 17 more.