68 bars of 4/4 at a walking 80 BPM, 3:24 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 23, 25 and 27, and 8 more places -- 16.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 22 times: bars 4, 8, 9, 11, 12, 16 and 16 more.
7 more fills are written out on the fills page.
68 bars across 6 sections: 33 keep time, 23 are fills and 4 are stops. The longest unbroken stretch of time is bars 29-33.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 30 out of 100; the rest of the number is everything around it.
68 bars, about 3:24 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 22 times: bars 4, 8, 9, 11, 12, 16 and 16 more.