105 bars of 4/4 at a walking 100 BPM, 4:12 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6, 8 and 10, and 15 more places -- 23.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 4 times: bars 32, 36, 104 and 105.
105 bars across 7 sections: 89 keep time and 5 are fills. The longest unbroken stretch of time is bars 37-67.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
105 bars, about 4:12 at the written tempo. The course breaks it into 27 exercises over 9 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 4 times: bars 32, 36, 104 and 105.