659 bars of 4/4 at 120 BPM, about 21:53 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 97-102, 116 and 119-120, and 6 more places -- 5.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 28 times: bars 104, 125, 133, 141, 151, 159 and 22 more.
16 more fills are written out on the fills page.
659 bars across 61 sections: 348 keep time, 28 are fills, 16 are stops and 190 are silent. The longest unbroken stretch of time is bars 477-497.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 68 out of 100; the rest of the number is everything around it.
659 bars, about 21:53 at the written tempo. The course breaks it into 198 exercises over 72 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 28 times: bars 104, 125, 133, 141, 151, 159 and 22 more.