108 bars of 4/4 at a walking 105 BPM, 4:07 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25-32, 58-64 and 91-97, and 1 more place -- 26.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 10 times: bars 24, 49, 57, 82, 86, 90 and 4 more.
3 more fills are written out on the fills page.
108 bars across 12 sections: 83 keep time and 10 are fills. The longest unbroken stretch of time is bars 34-48.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
108 bars, about 4:07 at the written tempo. The course breaks it into 37 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 10 times: bars 24, 49, 57, 82, 86, 90 and 4 more.