162 bars of 4/4 at 134 BPM, about 4:50 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 29, 31 and 33, and 28 more places -- 19.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 13 times: bars 28, 36, 64, 72, 86, 100 and 7 more.
4 more fills are written out on the fills page.
162 bars across 19 sections: 120 keep time, 13 are fills, 6 are stops and 1 is silent. The longest unbroken stretch of time is bars 126-139.
134 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
162 bars, about 4:50 at the written tempo. The course breaks it into 55 exercises over 15 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 13 times: bars 28, 36, 64, 72, 86, 100 and 7 more.