115 bars of 4/4 at 120 BPM, about 3:47 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 4-6, 8-10 and 35-37, and 3 more places -- 15.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 37 times: bars 1, 2, 11, 12, 13, 17 and 31 more.
11 more fills are written out on the fills page.
115 bars across 14 sections: 58 keep time, 37 are fills and 8 are stops. The longest unbroken stretch of time is bars 3-10.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 60 out of 100; the rest of the number is everything around it.
115 bars, about 3:47 at the written tempo. The course breaks it into 50 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 37 times: bars 1, 2, 11, 12, 13, 17 and 31 more.