175 bars of 4/4 at a walking 105 BPM, 6:36 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 37-40, 43 and 153-155, and 2 more places -- 7.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 48 times: bars 1, 2, 3, 4, 5, 6 and 42 more.
15 more fills are written out on the fills page.
175 bars across 18 sections: 83 keep time, 48 are fills, 13 are stops and 13 are silent. The longest unbroken stretch of time is bars 9-15.
105 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
175 bars, about 6:36 at the written tempo. The course breaks it into 70 exercises over 21 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 48 times: bars 1, 2, 3, 4, 5, 6 and 42 more.