230 bars at 190 BPM -- fast, and 4:50 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-15, 17-19 and 21-22, and 9 more places -- 17.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
24 fills to learn, played 70 times: bars 7, 8, 16, 20, 23, 24 and 64 more.
20 more fills are written out on the fills page.
230 bars across 21 sections: 116 keep time, 70 are fills, 11 are stops and 10 are silent. The longest unbroken stretch of time is bars 101-109.
190 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
230 bars, about 4:50 at the written tempo. The course breaks it into 80 exercises over 23 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
24 fills to learn, played 70 times: bars 7, 8, 16, 20, 23, 24 and 64 more.