100 bars of 4/4 at a walking 96 BPM, 4:10 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-7, 29 and 34-36, and 6 more places -- 33% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 17 times: bars 4, 8, 27, 28, 30, 37 and 11 more.
7 more fills are written out on the fills page.
100 bars across 13 sections: 61 keep time, 17 are fills, 3 are stops and 6 are silent. The longest unbroken stretch of time is bars 10-19.
96 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
100 bars, about 4:10 at the written tempo. The course breaks it into 38 exercises over 9 sittings, about 29 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 17 times: bars 4, 8, 27, 28, 30, 37 and 11 more.