121 bars of 4/4 at a walking 100 BPM, 4:50 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 33-36, 61-63 and 65-67, and 7 more places -- 28.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 14 times: bars 16, 32, 40, 56, 64, 68 and 8 more.
7 more fills are written out on the fills page.
121 bars across 9 sections: 63 keep time, 14 are fills, 22 are stops and 12 are silent. The longest unbroken stretch of time is bars 98-103.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
36 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 13 out of 100; the rest of the number is everything around it.
121 bars, about 4:50 at the written tempo. The course breaks it into 41 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 14 times: bars 16, 32, 40, 56, 64, 68 and 8 more.