63 bars of 4/4 at a walking 80 BPM, 3:08 of playing, on crash, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-10, 12-18 and 21-23, and 2 more places -- 30% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 8 times: bars 6, 32, 44, 52, 54, 56 and 2 more.
2 more fills are written out on the fills page.
63 bars across 9 sections: 42 keep time, 8 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 10-23.
80 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
63 bars, about 3:08 at the written tempo. The course breaks it into 23 exercises over 8 sittings, about 22 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
6 fills to learn, played 8 times: bars 6, 32, 44, 52, 54, 56 and 2 more.