138 bars at 162 BPM -- fast, and 3:24 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 51-56, 104-105 and 109-118 -- 15.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 27 times: bars 17, 21, 34, 41, 42, 50 and 21 more.
8 more fills are written out on the fills page.
138 bars across 18 sections: 64 keep time, 27 are fills, 15 are stops and 20 are silent. The longest unbroken stretch of time is bars 109-120.
162 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 67 out of 100; the rest of the number is everything around it.
138 bars, about 3:24 at the written tempo. The course breaks it into 46 exercises over 13 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 27 times: bars 17, 21, 34, 41, 42, 50 and 21 more.