133 bars at 164 BPM -- fast, and 3:15 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9, 11 and 13, and 18 more places -- 16.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 14 times: bars 8, 16, 24, 68, 70, 92 and 8 more.
5 more fills are written out on the fills page.
133 bars across 14 sections: 94 keep time, 14 are fills, 7 are stops and 4 are silent. The longest unbroken stretch of time is bars 71-84.
164 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
133 bars, about 3:15 at the written tempo. The course breaks it into 46 exercises over 13 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 14 times: bars 8, 16, 24, 68, 70, 92 and 8 more.