204 bars at 158 BPM -- fast, and 5:10 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 37-39, 41-54 and 61-63, and 9 more places -- 22.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 24 times: bars 7, 8, 23, 24, 40, 56 and 18 more.
7 more fills are written out on the fills page.
204 bars across 27 sections: 144 keep time, 24 are fills and 6 are silent. The longest unbroken stretch of time is bars 41-54.
158 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 21 out of 100; the rest of the number is everything around it.
204 bars, about 5:10 at the written tempo. The course breaks it into 71 exercises over 20 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 24 times: bars 7, 8, 23, 24, 40, 56 and 18 more.