115 bars of 4/4 at 150 BPM, about 3:04 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 32-34, 36-38 and 40-42, and 9 more places -- 31.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
12 fills to learn, played 28 times: bars 14, 15, 16, 17, 19, 22 and 22 more.
10 more fills are written out on the fills page.
116 bars across 10 sections: 77 keep time, 28 are fills and 5 are silent. The longest unbroken stretch of time is bars 69-84.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 69 out of 100; the rest of the number is everything around it.
115 bars, about 3:04 at the written tempo. The course breaks it into 34 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 28 times: bars 14, 15, 16, 17, 19, 22 and 22 more.