109 bars of 4/4 at a walking 90 BPM, 4:32 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 78-80, 82-84 and 102-104, and 1 more place -- 11.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 29 times: bars 20, 22, 24, 26, 27, 28 and 23 more.
12 more fills are written out on the fills page.
109 bars across 10 sections: 60 keep time, 29 are fills, 7 are stops and 1 is silent. The longest unbroken stretch of time is bars 1-14.
90 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 48 out of 100; the rest of the number is everything around it.
109 bars, about 4:32 at the written tempo. The course breaks it into 56 exercises over 20 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 29 times: bars 20, 22, 24, 26, 27, 28 and 23 more.