67 bars of 4/4 at a walking 100 BPM, 2:41 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
The beat the song is built on is one bar, played through bars 25-27, 29-31 and 45, and 3 more places -- 24.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 13 times: bars 8, 24, 28, 32, 33, 34 and 7 more.
4 more fills are written out on the fills page.
67 bars across 8 sections: 41 keep time, 13 are fills, 5 are stops and 2 are silent. The longest unbroken stretch of time is bars 19-23.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 50 out of 100; the rest of the number is everything around it.
67 bars, about 2:41 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 8, 24, 28, 32, 33, 34 and 7 more.