102 bars of 4/4 at 150 BPM, about 2:43 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 41-43, 45-47 and 81-83, and 3 more places -- 18% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 68 times: bars 4, 7, 8, 9, 10, 11 and 62 more.
5 more fills are written out on the fills page.
102 bars across 7 sections: 25 keep time, 68 are fills, 2 are stops and 2 are silent. The longest unbroken stretch of time is bars 89-95.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
102 bars, about 2:43 at the written tempo. The course breaks it into 25 exercises over 9 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 68 times: bars 4, 7, 8, 9, 10, 11 and 62 more.