120 bars at 215 BPM -- fast, and 2:14 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 14-21, 32-39 and 88-95 -- 20.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 30 times: bars 28, 29, 30, 31, 51, 55 and 24 more.
1 more fill is written out on the fills page.
120 bars across 10 sections: 74 keep time, 30 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 33-43.
215 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 62 out of 100; the rest of the number is everything around it.
120 bars, about 2:14 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 30 times: bars 28, 29, 30, 31, 51, 55 and 24 more.