144 bars at 240 BPM -- fast, and 2:30 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 50, 52 and 54, and 10 more places -- 23.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 10 times: bars 16, 32, 34, 38, 42, 46 and 4 more.
1 more fill is written out on the fills page.
144 bars across 14 sections: 72 keep time, 10 are fills, 24 are stops and 34 are silent. The longest unbroken stretch of time is bars 64-88.
240 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 79 out of 100; the rest of the number is everything around it.
144 bars, about 2:30 at the written tempo. The course breaks it into 31 exercises over 10 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 10 times: bars 16, 32, 34, 38, 42, 46 and 4 more.